Tuesday, April 28, 2015

Aubrey Plaza Joins Mike And Dave Need Wedding Dates

Aubrey Plaza Joins Mike And Dave Need Wedding Dates

She'll be part of the new Zac Efron comedy

Aubrey-Plaza-Joins-Mike-And-Dave

The cast of new comedy Mike And Dave Need Wedding Dates is growing again, this time adding someone with real comedy chops. Parks And Recreation’s Aubrey Plaza is aboard as one of the titular dates

Zac Efron and Adam DeVine are set as a sibling duo who, in a tale snatched from a real-life event, put up an ad on Craigslist in an attempt to find dates for a wedding. The immature party animals end up with two beautiful women who are crazier than they are, and chaos ensues. Anna Kendrick is playing one of the women they meet, a wild child with a sweetly romantic nature who clicks with Efron’s character, while we presume Plaza will now be the person who pairs off with DeVine. 

Jake Szymanski, a veteran of Funny Or Die’s online output, is in the director’s chair for the film, scripted by Bad Neighbors’ Andrew J. Cohen and Brendan O’Brien. 

Since finishing the final (sniff) season of Parks, Plaza has been busy making movies such as Hal Hartley’s Ned’s Rifle, Fresno and The Driftless Area. She’s also part of the cast for Dirty Grandpa, which just so happens to feature Efron. 




from http://bit.ly/1POKnV5

Guillermo Del Toro's Silent Hill Game Reboot Scrapped

Guillermo Del Toro's Silent Hill Game Reboot Scrapped

'It's not gonna happen and that breaks my greasy heart'

GDT-Silent-Hills-game-reboot-scrapped

If you were eagerly anticipating Silent Hills, the new chapter of the Konami game series Silent Hill that would have combined the talents of writer/producer/director Guillermo del Toro, Metal Gear man Hideo Kojima and The Walking Dead’s Norman Reedus, we have some bad news: it’s no longer happening.

Announced last year through a playable teaser on the PS4, the game has been in development, but there has since been some tension between Kojima’s company and Konami. Speaking at the San Francisco film festival this weekend, del Toro said, "It's not gonna happen and that breaks my greasy heart.”

A more formal statement from Konami quickly followed… “Konami is committed to new Silent Hill titles, however the embryonic Silent Hills project developed with Guillermo del Toro and featuring the likeness of Norman Reedus will not be continued. Discussions on future Silent Hill projects are currently underway, so please stay tuned for further announcements.” Boo! So much for a game that, in true del Toro style, he promised would "make you shit your pants."

We suppose the only upside of this new wrinkle is it frees GDT up some time to devote to the other 500 projects he’s working on concurrently. His latest film, Crimson Peak, arrives in the UK on October 16.










from http://bit.ly/1GANaQk

First Look At Kodi Smit-McPhee As X-Men Apocalypse's Nightcrawler

First Look At Kodi Smit-McPhee As X-Men Apocalypse's Nightcrawler

BAMF! And the dirt is gone

Recently, we've had official confirmation that Ben Hardy will be playing Angel in Bryan Singer's upcoming mutant mash-up X-Men: Apocalypse - as well as news that Olivia Munn will take on Psylocke - but now there's some more artwork to enjoy, this time of Kodi Smit-McPhee as the young Nightcrawler (Kurt Wagner), the teleporting superhero first played on the big screen by Alan Cumming in 2003's X-2.

X-Men: Apocalypse, which reunites the First Class/Days Of Future Past gang of James McAvoy’s Professor X, Michael Fassbender’s Magneto, Jennifer Lawrence’s Mystique and Nicholas Hoult’s Beast, along with newcomers Munn, Hardy, Oscar Isaac as the titular bad guy, Tye Sheridan as Cyclops, Sophie Turner as Jean Grey, Alexandra Shipp as Storm and Lana Condor as Jubilee, opens on May 19 next year.

And for more world exclusive concept art and insight into the movie from Singer and writer/producer Simon Kinberg, pick up the new issue of Empire when it hits newsstands this Thursday, April 30. 










from http://bit.ly/1KnGLq3

Empire's Jurassic World Covers Unveiled

Empire's Jurassic World Covers Unveiled

You're gonna hear her roar

The Jurassic World Empire covers are here. Currently crashing through the undergrowth - figuratively speaking - and stomping onto subscribers' doormats, here's what non-subcribers can look forward to buying this Thursday, April 30.

{Empire Jurassic World Covers}

Barely containing the hybrid horrors of the Indominus Rex, our special four-slashes fold-out cover can only be tamed by purchasing it, then caging it on top of your coffee table. Again, figuratively speaking.

As well as extensive feature on Colin Trevorrow's take on Steven Spielberg's iconic dino-franchise, featuring exclusive on-set access and details to thrill Jurassic Park aficionados, there is a whole lot more, including a world exclusive first look at X-Men: Apocalypse and everything you never knew about Jaws.

Keep your eyes on EmpireOnline.com over the week to find out more about what to expect, from Mission: Impossible - Rogue Nation to Star Wars Episode VII: The Force Awakens and back again.

Jurassic World is set for a June 11 release, while the new issue of Empire magazine hits newsstands this Thursday, April 30.

 



from http://bit.ly/1GzMpGZ

Empire's Daredevil Season 1 Spoiler Podcast

Empire's Daredevil Season 1 Spoiler Podcast

Featuring Daredevil himself, Charlie Cox

If you've seen all 13 episodes of the first season of Netflix / Marvel's Daredevil, you'll want to talk about all 13 episodes of the first season of Netflix / Marvel's Daredevil. You'd probably also like to speak to the star of the show, Charlie Cox, which is were this particular Empire Podcast comes in. With an interview with Daredevil himself and an in-depth discussion of the show from the regular Empire team, this is your one-stop audio shop for all things DD.

P.S. You can check out our podcast photo gallery here and subscribe to the Empire Podcast via our iTunes page or this handy RSS feed. You can subscribe to the magazine here if you like it in paper form, or here if you prefer things digitally.










from http://bit.ly/1EcBzDf

Fast & Furious 7 Again Sees Off The Competition At The US Box Office

Fast & Furious 7 Again Sees Off The Competition At The US Box Office

The Age Of Adaline wins Friday but ends up third

Fast-&-Furious-7-Box-Office-champ-third-time

There were some raised eyebrows among box office-watchers across the pond on Saturday morning when it emerged that fantastical romance The Age Of Adaline had beaten current champ Fast & Furious 7 to the punch on Friday, taking the top spot. But by the time Sunday rolled around, the charts looked much as they did last week, with Vin Diesel and co. once again claiming victory with $18.2 million, according to studio estimates.

Furious 7 has been unbeatable across its four weeks on release, putting $320.5 million into its account in the States and taking $1.3 billion worldwide, which means it leapfrogs Frozen and Iron Man 3 on the all-time global release list, settling into fifth place behind the likes of Avatar, Titanic, The Avengers and Harry Potter And The Deathly Hallows: Part 2 while threatening to overtake Potter before too long. It will surprise exactly no-one to learn that Universal is already looking to have an eighth instalment of the franchise ready for 2017. Next week, however, the juggernaut that is Avengers: Age Of Ultron arrives Stateside, so we’d expect the Fast team’s ride at the top to come to a screeching halt.

Paul Blart: Mall Cop 2 held on surprisingly well for second place, with the movie now up more than $43.9 million in total. The Age Of Adaline, meanwhile, had to settle for third place, earning $13.3 million in its first weekend.

Staying put in fourth was DreamWorks Animation’s Home, which took $8.3 million, while techno-horror Unfriended was pushed to fifth place, adding $6.2 million for $25.1 million so far.

Ex Machina expanded from its limited release, adding 1,216 screens and leaping from 15th to sixth place, and an additional $5.4 million, which brings the film’s domestic total to $6.9 million. Alex Garland’s directorial debut has now made more than $13.9 million worldwide. 

In seventh, we find Nicholas Sparks adaptation The Longest Ride, which fell from fifth and earned $4.3 million. Get Hard sank to eighth with $3.9 million while Disney nature doc Monkey Kingdom took in $3.55 million at ninth. Finally, in tenth place, indie drama The Woman In Gold, which added $3.5 million for a $21.6 million total to date.

To see Vin Diesel and the gang drive over a mall cop’s Segway in the full chart listings, head to Box Office Mojo.




from http://bit.ly/1HIhZRI

Michael Bay Posts Teenage Mutant Ninja Turtles 2 Images

Michael Bay Posts Teenage Mutant Ninja Turtles 2 Images

Turtles not pictured

Aside from some paparazzi shots taken at a basketball game where early footage was gathered, we haven’t seen much of anything from the new Teenage Mutant Ninja Turtles film, which is shell-deep in production. But now producer Michael Bay has posted a couple of shots of vehicles to Twitter. 

It’s not exactly the most exciting glimpse of the film, unless you’re as much of a gear head as Bay, but it’s at least a look at the powerful new battle wagon knocked up by – most likely – Donatello for the four heroes to drive around in. Despite that pun featuring the Italian word for “turtle”, it’s hardly the subtlest ride given the whole “ninja” aspect of their group name, but still... The boys like to ride in style. As for the other flashy piece of tech, that’s a pricey Polaris Slingshot. 

According to Deadline, William Fichtner and the four guys who provided the performance capture and – bar one, who was dubbed by Johnny Knoxville – voices for the turtles are back alongside fellow returning actors Megan Fox and Will Arnett. New faces this time include model Alessandra Ambrosio, Tyler Perry as scientist Baxter Stockman and Stephen Amell as vigilante warrior Casey Jones.

With Earth To Echo’s Dave Green on directorial duty, Teenage Mutant Ninja Turtles 2 will be out here on June 6, 2016.










from http://bit.ly/1HIi0VL

Fox Halts The Deep Blue Good-By

Fox Halts The Deep Blue Good-By

Because Christian Bale is injured

Fox-Halts-Deep-Blue-Good-By

Just when producer Leonardo DiCaprio and the team at Fox thought that the adaptation of John D. MacDonald’s Travis McGee novel The Deep Blue Good-By might finally reach screens after years floating in development limbo, along comes a depth charge to once more scupper the progress. Thanks to Christian Bale tearing a knee ligament, the plan to shoot this summer has been scrapped.

James Mangold had been gearing up to roll cameras on the movie starting next month in Florida. He has a script in hand and had been busy rounding up a cast to support Bale that included Peter Dinklage, Rosamund Pike and Nicola Peltz.

But given the action-orientated nature of the story about a salvage consultant who is lured into a mystery surrounding some very dangerous people and a fortune brought back to Florida by a World War II soldier, Bale’s injury means he wouldn’t be able to shoot for months, since apparently he doesn’t have the weirdly miraculous ministerings of The Dark Knight Rises’ prison doctor in real life to have him up and about in days.  

There is some debate about what will happen to the movie, according to The Wrap. Some are saying it’ll have to be scrapped altogether, especially since the studio’s other choices – Brad Pitt etc. – were not available. Others think it’ll simply be delayed again until either Bale is recovered enough to handle the action demands or someone else can be found. Either way, right now it means Mangold is likely to channel his energy into the next Wolverine film instead. Talking of... 




from http://bit.ly/1FoghEJ

What’s the Difference Between a Professional Writer and a Content Marketer?

the difference is strategy, perception, and a higher pay grade

I’ve been a writer for a long, long time. I’ve written something every day for around 30 years now. (Okay, I took about a week off when I had a C-section.)

I’ve been a content marketer since 2004, even though we didn’t call it that back then.

These days, I’m a Chief Content Officer — a job title that didn’t exist just a few years ago.

I love and respect writers, and I know a lot of them. Some are successful, some are struggling.

And I have some thoughts on what can make the difference.

You may know that we run a program to certify excellent writers as Certified Content Marketers. What does that mean? What’s the difference between a good writer and a good content marketer?

(Spoiler alert: I kind of spilled the beans with the header image.)

I’ve been thinking a lot about that question in the past few months, because Brian Clark and I have been reworking the Certified Content Marketers program, to make the education sharper and more up-to-date.

First things first: What is this content marketing thing, anyway?

Here’s how I defined it for a book chapter I wrote recently:

Content marketing is the strategic creation of text, imagery, audio, or video that delivers a relevant, interesting message to a customer or prospect, while at the same time paving the way for a sale.

Good content requires excellent writing. But the elements of strategy and structure need to be there to get it to work as marketing. Which is, after all, what we get paid for.

So here are some elements that separate high-quality content marketing from material that’s well-written but might not deliver the same business value.

#1: It has to move the audience

You may have noticed that at Copyblogger, we talk about audience, rather than prospects or leads per se.

The audience is made of people at many stages, including those who aren’t in the market for what you do or your company does, but can spread the word about your content.

And audiences don’t stick around for weak commercials or carbon-copy content. They need to be moved. If your content doesn’t do it, they’ll go elsewhere. It’s a big web out there, full of delicious distraction to tempt them away.

This is where your art comes into play. If you want to take your marketing writing to another level, consider working on plays, screenplays, fiction, or poetry. Anything creative designed to create an emotional response will improve your professional work.

And yes, you can move your audience even if your topic is “boring.” Use humor, use stories, use frustration. Everything we do as people creates mini stories — you can use those for content, even for technical topics like law, medicine, manufacturing, or accounting.

#2: It has to earn attention

This is one of the core beliefs of a professional content marketer:

You are never entitled to the attention of your audience.

You have to earn that attention every day.

Among your clients and employers, you may find that founders and CEOs can have a tough time with this. They often assume their business is riveting. It’s your job to help them see that the audience doesn’t have the same passion for the business that they do.

If your content isn’t successful, if it isn’t gaining attention — it might not be good enough. You may need to put in more work — find better angles, craft better headlines, and find the right tone and voice for this audience.

How can we tell our content is worth consuming? If people consume and feel driven to share it. If it works for your audience, it works.

#3: It has to have spark

The biggest problem I see with content is cookie-cutter, paint-by-numbers stuff.

The course that Brian and I are putting together will teach you structure and formula, but it’s your job to find the spark.

If you’re writing for a company, somewhere in your organization is someone with a passion. It might be the founder or a salesperson or a support person. Someone cares desperately and can show you where the spark is.

And if you can’t find anyone … you need to look for another company! I don’t say that flippantly. Companies without G.A.S. don’t tend to last long. And even if they do, they’re no fun to work with.

(Been there, done that. Not worth the t-shirt.)

As a professional writer, you are the scribe of the business you serve. It’s your role to take their beliefs and passions and give them a voice. I take this very seriously, and I think you should, too.

Be part of everything. Be curious about everything. Become a lifelong student of everything. It’s all material.

#4: It usually relies on proven structures

Getting spark into your content doesn’t mean “winging it.”

There are structures that have been shown to work better, because they make your ideas easier to perceive and understand.

Here’s a nutshell structure for effective content. Copyblogger has lots of posts on these points, and of course we also cover them in depth in the Certified Content Marketer’s course.

Effective content is marked by:

  • A headline that instantly commands attention
  • A few sharp, focused introductory sentences that pull the audience in
  • Useful information that solves a problem the audience cares about (think about magazine content)
  • A single, focused point or “moral of the story” that the content is trying to teach. This could address a specific objection to purchase, or a belief the prospect needs in order to buy, or it could lead to a call to action
  • Stories, metaphors, case studies, examples, and other techniques to engage the audience and illustrate that point
  • A well-crafted call to action that tells the audience how to take the next step

#5: People have to know how to think of you

You may be more than able to handle everything above — but you also need to convey that to your employers or clients.

A good content marketer knows how to market her own business, as well as her clients’ or employers’.

Let’s face it. You aren’t going to find the perfect gig that will keep your bills paid and your brain happy forever. It’s not how the world works anymore.

You need to position yourself for today and for tomorrow. You need to market yourself as the smartest, best solution. You need to take all of the authority and technique that you use for your clients, and treat yourself as your most important client.

That doesn’t always come naturally to us, but it can be taught — and when you learn it, you will appreciate the benefits.

At Copyblogger, we love writers. We respect writers. And we want writers to be paid what they’re worth.

You run the show. The web revolves around words — and you are the creator of those words. We want you to get the respect (and pay) you deserve.

With that in mind, if you’re a strong writer and you’d like to hear more about becoming a Certified Content Marketer, drop your email address into the form below.

We’re going to be opening the new course very shortly … and we would love to have you with us.

Join the Copyblogger Writers List

Want to know more about the Certified Content Marketers program? (We’ll be re-opening to new students very shortly.)

Want more articles that are specifically addressed to your interests as a professional writer?

Drop your email address in the box below, and, when we’re ready for you, I’ll let you know how to get into the program. I’ll also send you some of my favorite articles about the craft and career of the professional writer.

I’m looking forward to connecting with you there!

Enter your Email:


Image via picjumbo.

About the author

Sonia Simone


Sonia Simone is co-founder and Chief Content Officer of Copyblogger Media. Get lots more from Sonia on her podcast, Confessions of a Pink-Haired Marketer, or come hang out with her on Twitter.

The post What’s the Difference Between a Professional Writer and a Content Marketer? appeared first on Copyblogger.



from http://bit.ly/1Gsur3S

How to profit from economic cycles

This article is by staff writer William Cowie.

(Since April is Financial Literacy Month, a number of articles will be devoted to more educational topics. This is Part IV in a series about how understanding economic cycles could inform your financial decisions. Part I is Understanding economic cycles: An introduction. Part II is Recognizing economic seasons: recovery and growth. Part III is The fall and winter seasons of the economic cycle.)

In the first three parts of this series, you saw how the economy moves in cycles of seven to 10 years, and how each cycle can be broken down into four phases which correspond closely to the seasons of nature. We also looked at some of the telltale signs of economic activity that can help us recognize where we are in the cycle.

You may be thinking, “That’s all interesting, but how can I apply that knowledge to my personal financial life?” Let’s start by decapitating the elephant in the room — market-timing. Market-timing is a fool’s game. However, most of the time market-timing refers to trying to find the high point in the market to sell high. It is true: Nobody is able to tell when a market has reached its peak.

The same people who advise us not to try to find a selling peak do not say the same thing about finding a low entry point. Warren Buffett, arguably the best investor, says he has stopped trying to time the market. However, he is quite vocal in every recession that buying low is a wonderful thing to do.

Many people who stay away from market-timing also seem to stay away from buying low as part of “that thing we don’t do.” Buying low in a recession is not included in the general advice of “let’s not try to time the market.”

Okay, now that market-timing is no longer lurking in the back of your head, let’s see where we can all apply this and potentially benefit from our view of the economy moving through its four seasons of every cycle.

How the seasons could apply to your job

Your employer is affected by the four seasons of the economy too. But since most employers are oblivious to the seasons, it is a good guess that your employer is likely to behave like Farmer Clod — i.e., your employer will probably do everything at the wrong time.

Government employers depend on tax revenues, so they also fall victim to businesses that act like Farmer Clod. So, whether you work for a business or government employer, chances are you are working for Farmer Clod. If you had any plans to start your own business, using this insight can propel you from a mom and pop to the market leader in a single cycle. (A good friend of mine did.) But that isn’t our main concern here.

Your long-term job strategy

Now that you understand that your employer is probably a Clod (through ignorance more than malevolence), you can predict what they are going to do, and when.

Here is your employer’s strategy:

  • In winter, just survive
  • In spring, just survive
  • In summer, grow, grow grow
  • In fall, grow, grow, grow

Armed with this knowledge, you can plan your long-term strategy. Your No. 1 goal in any job typically is to leave on your own terms (i.e., avoid being laid off or fired). Your No. 2 goal is to make as much as their system will allow. All the other goals of growth, promotion and self-actualization only kick in after that.

The first thing you do with this knowledge is to evaluate your employer. Ask yourself, “How well will they survive the next recession?” Your best clue is to figure out how they weathered the previous recession. What percentage of people did they lay off? Did they cut pay or hours? You get the picture. A job in a construction company is probably more vulnerable to recession than a job in a department of the federal government, for example.

Increasing your value

The second thing to understand is that your best bet for a promotion and/or a raise will be in the summer and fall. Don’t be impatient when you get none of that in the winter and spring. Instead, use winter and spring to position yourself to be one of the prime candidates for said raises and promotions once they start coming.

What typically happens in the cutbacks of a recession is that every survivor gets loaded with more work. You have a choice: You can grumble and bear it, or you can see it as the perfect setup to position yourself for the next round of promotions and raises. The wider your experience, and the more you contribute to your employer’s survival (which is their main agenda), the more likely you are to be promoted and/or to receive a raise.

If you are aware of the seasons and your employer’s reactive strategy, you can jump on the summer and fall to get things like paid training, trips to industry networking events, things which enhance your value. It is a little like squirrels storing up acorns in the good times: You see them for the fleeting times they are and make hay while the sun shines. Your goal is to become as valuable as possible. Then, when the inevitable recession comes along, the more competent you are and the more flexible, the less likely you will be let go.

Knowing when to jump ship

My wife worked for a dot com company in California. When her department shrank from over 80 people to six, she was one of the six because she understood and supported management’s goal to survive. She knew a lot about a lot, simply by helping people out and being flexible. In the end, when we decided to come to Colorado, she was hoping to be let go, in order to get a severance package, but they liked her so much that she had to resign — and even then they tried to keep her.

Last thing: Fall in the economy is when you may get the most enticing new job offers. Be careful, though: In the inevitable recession, the workers with the shortest tenure usually get the first pink slips. The best time to make a job change is late spring/early summer (in the economy, not in nature). That way you have a long time to build up your internal network and seniority.

Simply being aware of the seasons of the economic cycle and how they impact your employer may help you in many ways you never considered.

How the seasons could apply to your home

If you plan to own a home, understanding the cycles of the economy will help you pick your best entry point into the home market: a recession. The value of any given home you have your eye on will drop in a recession. Let’s say you were considering a home today which is on the market for $300,000. Chances are that same home could be had for $250,000 if purchased in a recessionary period. (That’s about the ratio we have observed in our neighborhood.) Waiting a few years to save $50,000 is a good thing in my book.

Trading up and down-sizing

Understanding the four cycles of the economy helps you not only with buying your first home, but also with how to navigate trading up or down. As we pointed out in “How not to approach rising home prices,” many people get caught by a common delusion. When home prices go up in the summer and fall seasons of the economic cycle, and their home equity increases, they think of it as a permanent increase in their wealth. Then they do things like trade theirs for a bigger home, or borrow against that equity for one noble reason or another.

There is nothing intrinsically wrong with wanting to trade up, whether it is for logical reasons or because you simply want a nicer place. The big mistake is doing that in the summer or fall seasons of the economic cycle. The winter and spring seasons of the economic cycle are the best times to trade up. On the other hand, if you want to scale down (for example, if you are an empty-nester or for other reasons), the summer or fall seasons of the economic cycle are the best seasons to do that.

How the seasons could apply to your investments

This knowledge of the seasons of the economy can inform your investment decisions too. Let’s look at a couple different investment vehicles and methods of investing.

Monthly investors

If you invest monthly, as part of a 401(k) or other retirement plan, then your best course of action is simply to continue doing that, regardless of the season. However, if you do have any flexibility, increasing the amount you invest in times of recession and early recovery will net you more in the long run. This runs counter to what most people want to do: In tough times, it is instinctive to want to hold on to your cash as much as possible. Now you know that recession is the winter investment sale that only comes around once every 10 years. The more money you have available to pounce on those bargains, the better off you will be in the long run. I call that “dry powder.”

Rental property, art, and collectibles

If your investment vehicle of choice is rental property, you probably don’t buy a property every month. :) However, your knowledge of the seasons of the economy can help you decide when to buy the next property. The fall season in the economic cycle is usually the worst season of all to purchase property, yet it is the season most properties get bought. I call it “the Farmer Clod syndrome.”

It is much better to wait until the spring season of the economy, when tenants come back into the market and prices are still very low. If you had any plans to liquidate any of your properties, you know that fall is the proper time. A good friend of mine is a major real estate investor. Using this information, he sold a major shopping mall in the fall of the previous cycle. Major deals like that take a long time to close, but he told me he was extremely grateful for this knowledge of the seasons when that deal closed in August of 2008, the month before the big stock market crash.

Likewise, if you invest in things like art or collectibles, the time to buy is in the winter and spring seasons of the economic cycle, and fall is the time to sell.

Ignore the dominant emotions in every season

Every successful investor will tell you that your emotions are your biggest enemy.

  • In the winter and spring seasons of the economy, fear is the dominant emotion. But that is precisely the time to be bold and move, planting like Farmer Fred.

  • In the summer, the rising tide floats all boats. The dominant emotion then is to assume this will go on forever. Never presume upon the future in summer.

  • In fall, the dominant emotion is optimism, enticing people to buy things, again at exactly the wrong time. As a general rule, fall is the season to sell, not to buy.

As a general rule, debt is bad. However, if you are going to incur debt, the winter and spring economic seasons are the only times to do it. I personally believe that the summer and fall seasons of the economy are good times to get rid of debt. But, more than that, I believe summer and fall are the times to build up the dry powder to scoop up the bargains you only get once every 10 years. An online savings account to hold your liquid assets could come in quite handy at such a time.

What we cannot control

The world we live in does not move on a straight line. Whether we like it or not, it ebbs and flows like the tide. The economy brings with it seasons of easy money and tough money. Anybody who thinks their wealth will accumulate in a straight line hasn’t been through a recession yet. The reality is that there are times when growth is what we call “slim pickings” and there are other times when you just can’t lose. Wisdom, I believe, lies in understanding that all four seasons have opportunities to grow wealth — however, those opportunities look and act differently.

We can benefit from all four of the seasons if we are prepared and flexible, as opposed to being dogmatic that there is only one way to get rich slowly. Perceptive readers may have noticed that J.D., after following the proper strategies to get rich slowly in the spring and summer of the previous cycle, was flexible enough to grasp the unique opportunity to harvest (sell) … in the fall of the economy.

Farmer Clod and Farmer Fred faced the same set of changing circumstances. Fred knew what was coming each time as well as how to benefit from each season. Clod simply reacted based on feelings (“nothing more than feelings,” to quote the old song).

Everyone has a unique set of circumstances, history and challenges. There is no one-size-fits-all formula. You are going to achieve the best results for you by understanding what the economy gives and takes, and by figuring out strategies to take maximum advantage of each of the four seasons of the economic cycle.

How do you protect your finances or profit during different economic seasons? What plans will you make going forward? Share your thoughts in the comments below!










from http://bit.ly/1EzcIuJ